Saturday, 30 August 2014

TALKING SHOP FITTINGS

Rack with 36 rails

Wooden rack with 6 rails

French wall rack

Double bin for bulky items

French standing rack
















See the following pictures showing shop fittings.  I have got to the last stages of my stock clearance and next week when my colleagues, now running T4T Fairs, hold one in the Masonic Hall, Church Street, Bradford on Avon, Sat.Sept.6th. 10 - 4pm., I am opening my old wine vaults next door to clear ALL REMAINING STOCK AT HALF PRICE so I will have some good bargains for the early birds.
   I will have a number of SHOP FITTINGS  also for sale, particularly useful for people who sell textiles and costume and which are now surplus:
 Chrome heavy duty RACK with 35 stove enamelled rails with clips, for display of quilts, shawls, tickings, sheets, all fabrics etc. (this has been my prime sales aid to display my large stock and has sold many hundreds of items for me).   This is a bespoke professionally made fitting, originally extremely expensive.   .It is counter-ballanced so it cannot tip over with heavy weight. Perfect condition.                                                                                                     £140      Chrome large and very strong basket type double bin wire fitting for display of cushions, blankets,
and bulky  items,  v.g.c.                                                                                                                  £55                                                                                                                                              .
 Lightweight white clothes rail, useful to take to fairs, takes apart with butterfly nuts, well used             £10                                                                                                                                                     
White painted wooden wall fitting, three double rails, approx 3' wide for smaller items v.g.c.               £75       Set bamboo shelves, painted aqua, folding flat, 4 shelves,  light and mobile for fairs, well used      £45                                                            
French brown painted hanging kitchen rack with hooks, good display for small items, bags, hats,        £45
  kitchenalia,  good condition                                                                                                                         another, floor standing, painted aqua, ideal for brocante stuff    v.g.c.                                                  £35

small decorative set of shelves, chestnut wood, tramp work carving                                                    £75 ~

Sundry French curtain rails (over 5' wide) and ormulu bracket fittings and lots of rings and clips, all sizes                                                                                                                                               
Quantity of immaculate large and small cello bags for selling and posting linen; sheets and pillow case                                                                                                                             30 per pack   £3

plastic storage trays ex textile mill
Quantity of gray plastic trays, mesh bases, stacking, ideal wool and sundries storage,                                                     £1 each


If  you wish to reserve any of the above or discuss, 
phone 01225 866 136 (eves).  You can collect at the Fair!

Tuesday, 26 August 2014

PARTICULAR PEOPLE


  When it comes to getting work done with my stock of  vintage French textiles, whether making cushions, hand-stitching fine curtains with linings and interlining, or restoring upholstery on antique chairs, I am, of course, very particular that my clients get the best of work from my band of skilled and helpful workers.
19C.French easy chairs with 'lumbar swell' support, all covered in old  hemp sacking
    Between them, they can tackle almost any job to do with decorating a house and I thought it would please them, and maybe interest you, to see some of the work they have done for my own houses - always using second-hand materials, sometimes in very original ways to get the job finished properly.   They are all keen, like me, on re-cycling and have put up with my scraps and remnants, making fine jobs with them.    In particular I would like to showcase Barbara Dicketts and her son, Matthew Jackson, master upholsterers, who, between them, have restored and re-made countless antiques pieces for me, some to be sold and others for my own pleasure and use;  three 19C.elegant French canape settees,  re-seating 6 Georgian dining room chairs in red damask, completely re-making the Biedemeier sofa with two pairs of grand French silk and velvet curtains plus extravagant bobble and tapestry borders! two large pouffes, several small button-back drawing room chairs, a Howard armchair, probably over 18 small padded hemp-covered easy chairs (with the lumbar swell !), a pair of Hepplewhite side chairs,  3 bedroom ottomans,  toile de jouy double bed heads, several stools and a Heals mattress;   so they are skilled in all branches of upholstery, and Barbara has worked for a museum, restoring furniture.  They use traditional materials and methods and their charges are reasonable.

Toile de Jouy bed-ends
ottoman converted from school trunk
French canape and bespoke cushions
stuffed seat and case cover
buttoned chair and footrest (mini ottoman)
 
Biedemeier alpacca and silk velvet sofa
  with canvaswork borders and tassel fringes
   with French pouffe with bullion fringe in front

Barbara Dicketts and Matthew  are looking for new business to keep going now that I am retiring - They live in Seaton, Devon and you can contact them on 01297 599 287. Email  barbaradicketts@gmail.com.  They have good transport and work all over the West Country.    

Thursday, 21 August 2014

RICH AND RARE



This is a detail of one of the palampores at the Victoria and Albert Museum, London, where they have a very fine collection and their book illustrating many called Chintz by Rosemary Crill their curator. This one is dated approx 1720 from the Coromandel Coast, India, and was made to be a bedcover or wall hanging. These designs have been famously copied by Braquenie (French fabric makers) and some of the details repeated and copied in our own Paisley shawls and other clothing and fabrics. Many of the flowers have petals with elaborate patterns taken from Persian and Chinese flower designs and these were adapted for sales to European countries via the Silk and Trade Routes, and sold in France, Holland and Britain where they were highly sought after and admired. Despite bans on their importation, to support home trade, they were even more highly prized for being illegal and subject to heavy fines! I have recently seen and handled three very different examples of these splendid works of art, and all have now been sold for very high prices. SEE earlier blog Palampore and another to follow, later!

Wednesday, 20 August 2014

ANOTHER BED POST



Picture taken from THE BED by Alecia Beldegreen
    French beds come in all shapes and sizes and I am always amazed by the variety of decorations and curtains that were used to dress them. The traditional 4 poster was a very elaborate affair with curtains, swags and tails
, canopy and assorted tie-backs, ropes and ornaments at the four corners - plumes and coats of arms for the grandest.
Sometimes when I buy a big lot of curtains, I find one odd one, much longer and tightly gathered at the top with small hooks or little brass rings and with a shaped bottom seam. This is what is called the 'ciel de lit' or 'heavenly ceiling' and was attached to the corona or baldequin above the head of the bed, usually fixed with an arm from the wall behind the bed or hung from the ceiling like a chandelier. The coronas were often made of metal, engraved and decorative, but sometimes also of carved wood, and the baldequins were usually very heavy Victorian style carved and polished hard wood, in various shapes like a half-tester, a semi-circle, or shield shape and needed strong support from the rear wall. Usually the fabric matched the curtains of the room, and often were not lined - sadly many are somewhat tired and damaged where hands pulled them aside and/or they were held back with ropes and metal fittings. Also the base hem suffered from feet and maybe the little pet dogs that they seemed to allow in every room! Anyway, the extra material is always useful if you need pelmets, cushion or seat covers to finish off your colour scheme. Sometimes you will come across a strange piece of carved and polished pole that you think might be a towel rail AND IS OFTEN MIS-SOLD AS SUCH, - this is in fact a pole that was inserted directly into the wall centrally over a bed placed sideways against a blank space in the room, a long piece of fabric was hung over it and the two ends fell over the high bed ends. See the picture above of a bed draped for Napoleon at Malmaison. Very simple, most effective and easily done. Traditionally, many provincial beds were dressed with blue/white checked Vichy fabric or the lovely Ikat woven flamme toile. I buy both from time to time as it is still one of the decorators' favourite combinations for pretty beds. Both were woven, not printed, in 19C. and you can see examples in the remnants I use to make my tote bags; see Post Remnants and Remainders

Sunday, 17 August 2014

Sheet music in a wash tub

A really fine linen sheet with fillet lace insertion and a Princess' crown (exquisite hand embroidery!)I have one left for sale,having sold over a dozen very similar. 
   Two of my overseas buyers have sent chatty emails to me, and both said something rather nice!  They said that they think of me every day (I think they meant every night) as they sleep in beautiful fine linen sheets from France and I suppose they enjoy that cool silky feel as they slip into bed every bedtime!  It's so good to know that they use the very best on their beds and enjoy them, rather than keeping them  'for best' or putting them away in a drawer to be handed on,  perhaps to a member of their family who may not want, after all, the slight extra work of laundering and looking after the delicate rows of hand embroidery, stitching and (sometimes) lace.  I always feel that the original workers who reaped the flax, spun the threads and wove the cloth, and then decorated it with finest stitches, would be so happy to know that their handiwork is still appreciated  a century later and gives pleasure to 'ladies' all over the world!
     The ideal way to wash a delicate sheet is to soak it in a bath of cold or tepid water for several hours, then pull the plug, drain,  and fill up with warm water (40 deg. or so)and a mild soap powder,  push the linen up and down till it is clean, letting the suds carry the dirt away, then pulling the plug once more and filling up with plenty of cold clear water, and drain again.  Lift gently up and down with your hands pushing remaining water out and lift gently into a large container, then hang up to drip and dry.  Drying on a sloping lawn is a traditional way for this job, but worm casts and mud are not a clever mix.  Otherwise,  a careful short 'delicates'  wash once a week on a gentle programme with a good (non bio) soap powder is alright but if there is any sort of lace, then avoid all the spinning cycles of a washing machine which twist the fine threads and break them,  and hang it up on a long line to dry, folded in half. - don't use a tumble dryer- maybe you have a garage or utility room where you can put up an old fashioned ceiling rack (lazy Susan) which does not strain the seams and hang over a couple of the poles) and then fold it all in four layers thick while still slightly damp and press all down with the rest of your larger items on top, then air well,  that will all help to give longer life to the fabric - I am lucky to have a large press iron which means I can do the job in 12 minutes, sitting down.   Elna and Blanca Presses (see Google)are two possibilities, but I have to say that the Blanca (not cheap, but very efficient) is my first choice as it has a regular square shape;   the Hotpoint is shaped for shirt pressing, so not quite so good for square sheets and pillow cases.  It is quite difficult to put a sheet into a suitable washing bag to save wear on lace and embroidery and the sheet does not get properly rinsed and comes out very crumpled!  Do not use bleach unless it is for small individual stains, applied diluted with a cotton bud, as bleach rots the fabric and often leaves cloudy marks.  Sunshine or moonshine is much more reliable!   Almost all stains will eventual fade, all except black marking ink and rust spots - see another Blog for removing rust, even the multi-coloured mildew spots will fade a bit in the end after several soaks and washes.  In France the  process of soaking ('tremper') is considered to be almost more important than actual scrubbing and washing, by the skilled old washerwomen).

 WASHING GOES ON LINE

I always thought I had the longest washing line in Somerset when I lived at Freshford, near the homes in Sharpstone of the washerwomen who did the washing of linen from Bath in the days of Jane Austen.  My line was stretched between two trees and I had three tall props  so that I could hang out eight double linen sheets to dry.   These sheets were the 19thC hand-spun, hand-woven rough peasant sheets;  I used to soak eight at a time , then wash them in my extra heavy duty Hotpoint machine and then stagger down the sloping lawn to the line and hang them up securely fastened with wooden pegs.   They were extremely heavy when wet.   My load of almost dry linen was much lighter when I carried it up the slope to my iron press and luckily,  I could sit at it doing the work while I got my breath back.   It was only when I went to visit my friend Polly Lyster who does all the dyeing of linen at her Dyeworks nr. Stroud  that I saw she had a line as long as mine but with several strands of wire, supported with lots of heavy wooden posts that I realised her capacity for drying was ten times mine and I was very impressed.  All the indigo-dyed linen and hemp of which she is a very specialist dyer, has to be hung out in bright light or sunshine to change from the sludgey- greeny shade when dyed,  to the brilliant blue that we recognise in indigo blue.  It looks like magic, and in a way it is!  Polly now dies linen, hemp. cotton in over 100 shades and is very well known in decorating circles!  thedyeworks@mac.com
A pile of French hand-woven coarse hemp sheets and torchons, 19C.

Tuesday, 12 August 2014

STOCKING SMOCKS........

New art by Howard Hodgkin, an artist admired and sponsored by Tricia Guild, is featured in an article by Ros Byam Shaw in WOI.   She recounts a tale of his childhood, evacuated to a well-to-do Long Island lady in wartime, he was asked, aged 8, to help her choose some material, went to the shop, saw bolts of printed linen,"that one" he said, just like that.  And she said 0.K., and ordered an incredible amount, $500 worth.  This artist reckons it was a very formative experience which inspired a love of textiles, and comes out in his pictures of rooms, some with bedclothes, and the heavy red curtains in his home.
    I can think of many pieces in my own home which I both hated and loved as a child and my great treat was to rummage through an old tin bath, with lid, in the attics, that held all the surplus bits from my grandmother's decorations.   I loved the Victorian chintzy borders used to dress the valances on big old Welsh beds but hated the dark brown velvets that were shabby and faded.. I found there two old linen smocks which my father had worn for a portrait study with some sheep,  painted by my rather gifted grandmother, and I thought that was very romantic and resolved to find more smocks, which I did not find until I came to live in Somerset 70 years later.
    I acquired several and though I found the prices very high, they seemed to sell on their first outing at fairs .
The agricultural and County Museums were keen to acquire them and all the other old farm equipment - and people took to wearing them at local farming events and celebrations of old machinery and re-enactment displays of rural life in the 19C and ever since they have been in very short supply!   I have the two patterns shown here, so if you would like to have copies, contact me at  dbaer@onetel.com and I will gladly send them.  Maybe, your winter fireside project????

Friday, 8 August 2014

LOOKING FORWARD!


   Yes, everyone at Talent for Textiles is looking forward to meeting up with all friends and customers at the beginning of the autumn season.  Many of the dealers have been stocking up during the summer, either on their holidays (they never stop searching!) or making special trips overseas  to buy the best!   The exciting thing about textiles is that they are all different with different histories, different designs and workmanship so the variety is endless and even the most dedicated collectors are still finding new treasures.    There are no books big enough to cover all the various fields but we can all learn a lot by looking at the huge selection you will see at our fairs and the interchange of information is one of the things that draws visitors to our fairs, and we are always interested in hearing from people who wish to have a valuation or to sell something.
   So do come along to our next fair in the ancient Masonic Hall, Church Street, Bradford on Avon, BA15 1LN on Saturday, Sept 6th 10 a.m. to 4 p.m. and if you need inspiration for an autumn/winter project you will find a very good choice of high quality goods displayed and dealers who know what they are selling!  Free entrance and light refreshments on a sunny terrace next door.more info. Email  at   talentfortextiles.com